how tensions between: external social/political/economic forces + interior/personal/emotive/reflective experience = come into play an advertising slogan this powerful strength that pushes the drowning effect, the task of commercialising the personal; how to reach the margins of the river while the water goes stronger and stronger in a political-military dialogue and one stops (rich in vitamin c) breathing, in an interaction or collusiveness (wandering how the brain works in these Read more […]
Since the 90 the media landscape changed completely. In 1994, major media companies, including corporations such as Hearst Corporation, which owned numerous American periodicals and television networks formed for the first time the so called “new media” divisions and trade groups such as the New York New media Association were organised. Around the same time, artists, curators and critics started to use the term “New Media Art” to refer to Works – such interactive multimédia installations, Read more […]
the mythological figures the depicted recumbent lion with a human head the thrilling unaesthetics of a poker-faced boredom and all the aesthetics of car accidents… do you see the tragic beauty of the portrait of marylin monroe after her suicide, it is the winter season, in the Madness and Civilization and one can see the gangster funerals, and fragile mrs kennedy after jfk’s assassination duchamp enigma haunts me – he who renounced art to play chess instead, the Read more […]
“I am an invisible man. No, I am not a spook like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasms. I am a man of substance, of flesh and bone, fibber and liquids – and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me.” Ralph Waldo Ellison, The Invisible Man, 1952. We are all the invisible man of Ralph Ellison’s novel, living in a society that, in every area, feels the need to create more information, Read more […]