From its first emergence in the studio, in a mixture of experimentation and documentation, until it was welcomed into galleries and museums, video art asserted itself as an individual social, visual and ideological medium in which the avant-garde, underground cinema, expanded cinema and other movements were free to express themselves unhindered. In a world increasingly dominated by the technological media, video appeared to offer a rawness which invited exploration. Under the cloak of spontaneity, Read more […]